The membership year 2025Meetings take place at the Uppingham Town Cricket Club, Castle Hill, Leicester RoadUppingham, LE15 9SP at 11am please be seated before then.Coffee will be available from 10.15 with Hugh the Membership Secretary ready at the desk to welcome you, as you come in and register.October 16thBarry Venning With a Little Help from their Friends: the Beatles and the Art WorldA journey through the 60s in music and images, following the Beatles from the Hamburg Reeperbahn in 1960 to Abbey Road in 1969. The band was always fascinated by the visual arts - the ‘fifth Beatle’, Stuart Sutcliffe, was a much better painter than he was a bass player - and they also learned very early on that artists and designers could help promote their image and their music. Their rise to global fame was aided and recorded by an impressive roster of photographers, including Astrid Kirchherr, Bob Freeman, Robert Whitaker, Angus McBean and Linda McCartney. November 20th 2025Rosalind WhyteAntony Gormley: a Body of WorkAntony Gormley’s career spans nearly 40 years, during which time he has made sculpture that explores the relationship of the human body to space, often using his own body as his starting point. His work has been shown throughout the world, in galleries including the Tate in London and the Hermitage in St Petersburg, but is also often on open display, as public art, such as Another Place at Crosby Beach, near Liverpool. As well as works that he is well known for, like the iconic Angel of the North, this lecture will look at some of his earlier and less well-known works, to give an overall view of the development of his work across his whole career, up to the present.Attribution: WyrdLight.comNew Membership year 2026January 15th 2026Jacky KleinA Picture a Day': Peggy Guggenheim and the Birth of Mid-Century ModernismThis is the story of how the socialite and muse Peggy Guggenheim became one of the greatest collectors in the history of modern art. Friends with the leading cultural figures of her day – including Cecil Beaton, Jean Cocteau, Barbara Hepworth, Scott Fitzgerald, Ian Fleming, Djuna Barnes and Igor Stravinsky – she was photographed by Man Ray and André Kertesz, took advice from Marcel Duchamp and married – among others – the artist Max Ernst. She moved with ease between the social elites of New York and the bohemia of Paris. This talk asks why it was that – seemingly out of the blue – Guggenheim started collecting contemporary art in the 1930s?Peggy Guggenheim Home on the Grand Canal Venice. IslandsEnd. Creative Commons Attribution 3.0February 19th 2026 Emma Johnson Comedy Classical In this hour long talk we look at snippets of the classical cannon from Mozart's A Musical Joke and Saint-Saens' Carnival of the Animals, to Malcolm Arnold's Grand Overture for Three Vacuum Cleaners, a Floor Polisher and Four Rifles, taking in along the way footage of Charlie Chaplin, Dudley Moore and Victor Borge, to uncover the techniques composers use to make us chortle.Emma Johnson is a clarinettist and was a young musician of the year. She joined the National Youth Orchestra of Great Britain at the age of 15. In 1984, she won the BBC Young Musician of the Year title, performing Crusell's Second Concerto with the BBC Philharmonic Orchestra under Bryden Thomson.March 19th 2026Mariska Beekenkamp-WladimiroffThe Art of LaughterSeldom did one country produce so many comical paintings as the Netherlands did during the Dutch Golden Age.People and animals misbehaving, being silly, naughty and laughing out loud can be seen in unprecedented numbers on Dutch Baroque genre paintings. Some of these paintings were visual representations of common sayings or depictions of stock characters in contemporary plays, while others were created as moral lessons. However, the fashion for these type of paintings also coincided with a belief by contemporary doctors that laughing was good for your health, and a boom in the publications of books with jokes and funny poems.Adriaen van de Venne 1604 - 1662 - How Well We Go Together Jane023 Public domainApril 16th 2026Benedict Morrison Caught in the Mousetrap- the theatrical World of Agatha ChristieDespite being the longest running play in the history of theatre, The Mousetrap is often treated with critical contempt. It is seen as a tourist attraction rather than serious theatre. This talk challenges this assumption and explores Christie as a theatrical experimenter, an innovator who played as many tricks with theatre audiences as she did with the readers of her novels. It also explores how significant theatrical metaphors recur throughout her fiction. Murder is rarely grizzly, often unrealistic, and always a performance. May 21st 2026Lydia Bauman Art: a Detective Story - Decoding in Paintings Symbols in PaintingsPaintings are silent but they want to tell us things - sometimes they tell simple stories, but sometimes they send subtle messages: messages intended to elevate, educate, warn or criticise. A medieval altarpiece, a Renaissance portrait, a Dutch still life, a Baroque ceiling painting or a Victorian genre scene, all resort to symbolism to tell their stories. This talk looks at the rich tradition of symbols, emblems and allegories used by artists through the ages to tell us more than just meets the eye.Vanitas – Still Life, Pieter Claesz, 1625, Wikimedia CommonsJune 18th 2026Christopher Garibaldi Time for Tea - A History of British Teapots and TeaThis lecture serves as an introduction to the teapot collection at Norwich Castle Museum which has the largest specialist collection of British ceramic teapots in the world, housed in the Twining Teapot Gallery. It looks at the changing role of tea from its introduction in the 17th century as a fashionable and expensive drink of great exoticism associated with courtly and aristocratic circles through to its eventual position at the centre of the British psyche as the ‘national drink’. This lecture also examines the development of the teapot as it reflects the technological advances and developments of general British ceramic history. There are no meetings in July and AugustSeptember 17th 2026Lucrezia Walker Andy Warhol Pioneer of Pop Art, his New York studio, The Factory, was the place to be in the 1960s and ‘70s. Illustrator, printer, filmmaker, manager of rock band The Velvet Underground, founder of Interview magazine, author of numerous books, creator of iconic pop images of Marilyn, Jackie and Elvis, soup can and coke bottle, and coiner of the expression ‘15 minutes of fame’ Warhol’s own fame continues long after his death, as Prince of Pop Art. Andy Warhol with Archie, his pet Dachshund. Jack Mitchell Creative Commons Attribution-Share Alike 4.0October 15th 2026 Deborah Jenner Monet's French Impressionism: What He Sees is What We GetMonet left behind academic rules and preconceived ideas about art to capture his actual visual experience. He wouldn’t deviate from what he really saw. Indeed the sun’s angle, local weather and tides recorded in his Impression Sunrise provide proof for recent studies to pinpoint the date, time and place it was painted. He wanted the viewers to share what he was seeing and feeling. He limited information to blotches of pure colour - keeping tonalities to a minimum and avoiding all outlines - so that the brain interprets his canvases in a purely emotional way. We distinguish forms and shadows amongst his mosaic of hues thanks to the complementary colours.100th anniversary of death 5 December 1926. Meadow at Giverny Morning Effect, Claude Monet Public domainNovember 20th 2026Will Gilding Pricing Provenance What turns a humble typewriter into an international must have? A scrap of a police charge sheet into something collectors go potty for? Or even a pair of old stockings from a £1 charity shop find to £1,100 at auction? The answer is it comes down to provenance. This lecture will look at the almost incalculable factor of past ownership, and the effects on auction value. Diego Rivera, Frida Kahlo"Diego Rivera's SIGNED MoMA Exhibition Shipping/Inventory Contract", 1931, Museum Modern Art NYNew Membership yearJanuary 21st 2027Simon Whitehouse Columns, Cabbages and Kings. A Short History of Covent GardenIn this lecture, we chart the highs (and lows) of one of London’s most vibrant and fascinating neighbourhoods. We begin with the area’s surprising Saxon origins to its takeover by the monks at Westminster Abbey. Following the Reformation, the area changed hands again and in the early Stuart era the first planned square was developed by the Earls of Bedford and architect Inigo Jones. By 1670, the area was inextricably linked to the theatre and a daily market was established which thrived until 1974.The Royal Opera House, Bow Street frontage, with the statue of Royal Ballerina Katie Pianoff in the foreground, Russ London Creative Commons Attribution-Share Alike 3.018 February 2027 Russell Nash The Men Who Made MenswearThis lecture tells the story of men's tailoring over the past 200 years, told through the lives of the men who commissioned and created and wore it. Tailors, shirt-makers, hatters and other craftspeople in London’s west end, especially around Savile Row & Jermyn Street have shaped the way men dress since the Regency. How did men such as Beau Brummell, The Duke of Windsor, Tommy Nutter, Montague Burton, Alexander McQueen and John Stephen create their signature looks which influenced the mens fashion? This lecture also looks at the wider cultural shifts since the early 19th century to the present day and how they affected the way that men present themselves. Savile Row- Tailoring at Henry Poole and Co., London, 1944Ministry of Information Photo Division Photographer, Public domain18 March 2027Hilary Williams The Wallace and Frick Collections and their connection with KnoleDetails later
Web site and mobile phone pages created and maintained by Janet Groome, Handshake Computer Training
Web site and mobile phone pages designed, created and maintained by Janet Groome Handshake Computer Training
The new membership starts 1st January 2025Meetings take place at the Uppingham Town Cricket Club, Castle Hill, Leicester RoadUppingham, LE15 9SP at 11am please be seated before then.Coffee will be available from 10.15 with Hugh the Membership Secretary ready at the desk to welcome you as you come in and registerThere is no meeting in July or AugustSeptember 18thTessa BoaseArt Deco and the Department StoreBold publicity stunts, statement architecture, suave dining: the 1930s was a supreme era for London’s great emporia. Starting on Piccadilly with Joseph Emberton’s Moderne masterpiece, Simpsons, we’ll explore the capital’s department stores through an Art Deco lens – from Selfridges’ fabulous elevators, whizzing us up to roof garden fashion shows, to the jaw-dropping interiors of D.H. Evans, ready in time for the 1937 Coronation, to the live flamingos atop Derry & Toms. Then off to the suburbs where superb Deco buildings were springing up in surprising locations: Shinners of Sutton, Holdrons of Peckham, Bodgers of Ilford.Shinner & Sudtone, Sutton, LondonTony Monblat, Creative Commons AttributionOctober 16thBarry Venning With a Little Help from their Friends: the Beatles and the Art WorldA journey through the 60s in music and images, following the Beatles from the Hamburg Reeperbahn in 1960 to Abbey Road in 1969. The band was always fascinated by the visual arts - the ‘fifth Beatle’, Stuart Sutcliffe, was a much better painter than he was a bass player - and they also learned very early on that artists and designers could help promote their image and their music. Their rise to global fame was aided and recorded by an impressive roster of photographers, including Astrid Kirchherr, Bob Freeman, Robert Whitaker, Angus McBean and Linda McCartney. Last meeting of the 2025 membership November 20th 2025Rosalind WhyteAntony Gormley: a Body of WorkAntony Gormley’s career spans nearly 40 years, during which time he has made sculpture that explores the relationship of the human body to space, often using his own body as his starting point. His work has been shown throughout the world, in galleries including the Tate in London and the Hermitage in St Petersburg, but is also often on open display, as public art, such as Another Place at Crosby Beach, near Liverpool. As well as works that he is well known for, like the iconic Angel of the North, this lecture will look at some of his earlier and less well-known works, to give an overall view of the development of his work across his whole career, up to the present.Attribution: WyrdLight.comNew membership year 2026February 19th 2026 Emma Johnson Comedy Classical In this hour long talk we look at snippets of the classical cannon from Mozart's A Musical Joke and Saint-Saens' Carnival of the Animals, to Malcolm Arnold's Grand Overture for Three Vacuum Cleaners, a Floor Polisher and Four Rifles, taking in along the way footage of Charlie Chaplin, Dudley Moore and Victor Borge, to uncover the techniques composers use to make us chortle.Emma Johnson is a clarinettist and was a young musician of the year. She joined the National Youth Orchestra of Great Britain at the age of 15. In 1984, she won the BBC Young Musician of the Year title, performing Crusell's Second Concerto with the BBC Philharmonic Orchestra under Bryden Thomson.March 19th 2026Mariska Beekenkamp-WladimiroffThe Art of LaughterSeldom did one country produce so many comical paintings as the Netherlands did during the Dutch Golden Age.People and animals misbehaving, being silly, naughty and laughing out loud can be seen in unprecedented numbers on Dutch Baroque genre paintings. Some of these paintings were visual representations of common sayings or depictions of stock characters in contemporary plays, while others were created as moral lessons. However, the fashion for these type of paintings also coincided with a belief by contemporary doctors that laughing was good for your health, and a boom in the publications of books with jokes and funny poems.Adriaen van de Venne 1604 - 1662 - How Well We Go Together Jane023 Public domainApril 16th 2026Benedict Morrison Caught in the Mousetrap- the theatrical World of Agatha ChristieDespite being the longest running play in the history of theatre, The Mousetrap is often treated with critical contempt. It is seen as a tourist attraction rather than serious theatre. This talk challenges this assumption and explores Christie as a theatrical experimenter, an innovator who played as many tricks with theatre audiences as she did with the readers of her novels. It also explores how significant theatrical metaphors recur throughout her fiction. Murder is rarely grizzly, often unrealistic, and always a performance. May 21st 2026Lydia Bauman Art: a Detective Story - Decoding in Paintings Symbols in PaintingsPaintings are silent but they want to tell us things - sometimes they tell simple stories, but sometimes they send subtle messages: messages intended to elevate, educate, warn or criticise. A medieval altarpiece, a Renaissance portrait, a Dutch still life, a Baroque ceiling painting or a Victorian genre scene, all resort to symbolism to tell their stories. This talk looks at the rich tradition of symbols, emblems and allegories used by artists through the ages to tell us more than just meets the eye.Vanitas – Still Life, Pieter Claesz, 1625, Wikimedia CommonsJune 18th 2026Christopher Garibaldi Time for Tea - A History of British Teapots and TeaThis lecture serves as an introduction to the teapot collection at Norwich Castle Museum which has the largest specialist collection of British ceramic teapots in the world, housed in the Twining Teapot Gallery. It looks at the changing role of tea from its introduction in the 17th century as a fashionable and expensive drink of great exoticism associated with courtly and aristocratic circles through to its eventual position at the centre of the British psyche as the ‘national drink’. This lecture also examines the development of the teapot as it reflects the technological advances and developments of general British ceramic history. October 15th 2026 Deborah Jenner Monet's French Impressionism: What He Sees is What We GetMonet left behind academic rules and preconceived ideas about art to capture his actual visual experience. He wouldn’t deviate from what he really saw. Indeed the sun’s angle, local weather and tides recorded in his Impression Sunrise provide proof for recent studies to pinpoint the date, time and place it was painted. He wanted the viewers to share what he was seeing and feeling. He limited information to blotches of pure colour - keeping tonalities to a minimum and avoiding all outlines - so that the brain interprets his canvases in a purely emotional way. We distinguish forms and shadows amongst his mosaic of hues thanks to the complementary colours.100th anniversary of death 5 December 1926. Meadow at Giverny Morning Effect, Claude Monet Public domainNovember 20th 2026Will Gilding Pricing Provenance What turns a humble typewriter into an international must have? A scrap of a police charge sheet into something collectors go potty for? Or even a pair of old stockings from a £1 charity shop find to £1,100 at auction? The answer is it comes down to provenance. This lecture will look at the almost incalculable factor of past ownership, and the effects on auction value. Diego Rivera, Frida Kahlo"Diego Rivera's SIGNED MoMA Exhibition Shipping/Inventory Contract", 1931, Museum Modern Art NYNew Membership yearJanuary 21st 2027Simon Whitehouse Columns, Cabbages and Kings. A Short History of Covent GardenIn this lecture, we chart the highs (and lows) of one of London’s most vibrant and fascinating neighbourhoods. We begin with the area’s surprising Saxon origins to its takeover by the monks at Westminster Abbey. Following the Reformation, the area changed hands again and in the early Stuart era the first planned square was developed by the Earls of Bedford and architect Inigo Jones. By 1670, the area was inextricably linked to the theatre and a daily market was established which thrived until 1974.The Royal Opera House, Bow Street frontage, with the statue of Royal Ballerina Katie Pianoff in the foreground, Russ London Creative Commons Attribution-Share Alike 3.018 February 2027 Russell Nash The Men Who Made MenswearThis lecture tells the story of men's tailoring over the past 200 years, told through the lives of the men who commissioned and created and wore it. Tailors, shirt-makers, hatters and other craftspeople in London’s west end, especially around Savile Row & Jermyn Street have shaped the way men dress since the Regency. How did men such as Beau Brummell, The Duke of Windsor, Tommy Nutter, Montague Burton, Alexander McQueen and John Stephen create their signature looks which influenced the mens fashion? This lecture also looks at the wider cultural shifts since the early 19th century to the present day and how they affected the way that men present themselves. Savile Row- Tailoring at Henry Poole and Co., London, 1944Ministry of Information Photo Division Photographer, Public domain18 March 2027Hilary Williams The Wallace and Frick Collections and their connection with KnoleDetails later